Make no mistake, modern Hollywood is absolutely starving for old-school romance. So when John Hinckley Jr. reemerges to declare his unwavering affection for Jodie Foster forty-five years after shooting a sitting president in her honor, the only acceptable response is swooning.
This week, the trades dropped a preview of an upcoming interview on The Mark Joseph Show where John Hinckley Jr. once again sends his love to the two-time Academy Award winner. The public reaction, predictably, has been horribly unkind to him. We live in an era where celebrity relationships are negotiated by CAA agents over kombucha and expire the moment the sequel wraps filming. Yet here is a man who has maintained absolute message discipline since 1981. He saw a girl in a movie, decided she was the one, and executed a globally televised awareness campaign involving the Secret Service just to get her attention. And how does she repay him? By ghosting him for four and a half decades.
I was having a rather tense branzino with Glen Powell at the Polo Lounge last week, and we were lamenting the death of the grand gesture. Glen, bless him, thought faking a flirtation with Sydney Sweeney on a press tour was pushing the envelope. I had to laugh. I told him that unless he was willing to intercept a presidential motorcade outside the Washington Hilton, he was simply playing at romance. Today's leading men want the box office bump of a passionate love story, but they absolutely refuse to put in the ballistic groundwork.

Let us look at the sheer scale of the rollout. Hinckley didn’t just buy a billboard on Sunset Boulevard or leak a blurry photo to a gossip blog. He went directly to the Commander-in-Chief. He leveraged the executive branch of the United States government to demonstrate his market value. Do you know what a studio would pay today to dominate the evening news cycle for forty-five consecutive years? He generated billions of dollars in free global press for Jodie Foster, completely organically, and she hasn't even invited him to a single premiere.
Look at Jennifer Lopez and Ben Affleck. We spent two decades celebrating their reunion as the ultimate Hollywood fairytale simply because Ben kept some old letters in a scrapbook. Cute. But did Ben ever purchase a revolver and stake out the VIP exit of a D.C. hotel to prove his commitment to the Gigli rollout? He did not. The industry showered Bennifer with magazine covers for doing the absolute bare minimum, while John is still waiting for a simple notes app apology from Jodie for leaving him on read since the Carter administration.
I spoke to several top-tier crisis managers who are privately furious with Foster’s team for squandering this asset.
If my client had a dedicated fan willing to serve decades in a psychiatric facility just to prove his loyalty, we would be building an entire lifestyle brand around it.

Sloane is entirely right. Instead of leaning into the narrative, Foster’s reps have spent the last forty years pretending the most devoted suitor in American history doesn't exist. It was glaringly obvious during her recent press tour for True Detective. She happily answered questions about the Alaskan cold and working with her co-stars, but conspicuously avoided acknowledging the man who literally took a bullet—well, ricocheted a bullet—for her. It reads as terribly aloof. In an industry built on audience engagement, ignoring your most engaged demographic is practically career suicide.
Even the below-the-line talent recognizes the missed opportunity.
The industry standard for on-set chemistry is built entirely on trust and vulnerability, and frankly, I have never seen a man more vulnerable than when he is being tackled by a dozen Secret Service agents on national television.

Since his unconditional release, Hinckley has successfully transitioned into a multi-hyphenate artist, releasing original acoustic folk music on YouTube. He is doing the work. He is diversifying his portfolio. He is showing growth. The Mark Joseph Show interview proves he is ready to re-enter the media ecosystem not just as a lovestruck rogue, but as a creator. Foster, meanwhile, is hoarding the cultural capital. Would it kill her to do a quick fifteen-second TikTok duet with one of his acoustic ballads? A simple like and subscribe to acknowledge the man who permanently altered the trajectory of the Cold War because he thought she was cute?
I sat next to a very prominent streamer executive at the Governors Awards, and he confessed that he keeps a picture of Hinckley in his office to remind his marketing team what real tracking looks like. The executive told me that John didn't wait for the green light, didn't ask for a budget, and just took his passion project to the streets. We should be studying his 1981 activation in film schools. Instead, we are treating him like some sort of pariah just because a press secretary got caught in the crossfire of a flawless brand rollout.
We have to ask ourselves what we actually want from our stars. We claim we want authenticity. We claim we want them to be loved fiercely and truly. But the moment someone steps up and delivers a Shakespearean display of devotion that happens to involve federal treason, we suddenly become puritans. Foster’s continued silence isn't just an insult to Hinckley; it is an insult to romance itself.
It is time for Foster’s publicist to step up, do the right thing, and book them a chemistry read. If she can feign interest in Mel Gibson for two hours in The Beaver, she can at least buy John a coffee.